Tag - 5 Shanghai Germans
Monday 1 June 2009
5 Shanghai Germans installation view
By stageback on Monday 1 June 2009, 00:00
Lothar Spree shanghai passage voyage / dissolve 2008-2009 installation, video, 2 sequences 27 min + 42 min, loop, 2 screens 2 DVD player, text, dimensions vary
Rolf A. Kluenter sth.sth.not.that.not.this. six steps registration overkill 2008-2009 installation, video, 2 min, loop canvas, stencil, rubber stamps screen, text, dimensions vary
Susanne Junker - - - id - - -identity - proposition #1 work in progress 2006-2009 photography lambda print dimensions vary
Overview
Roland Geissel melusine - xujing 2008-2009 photography, object oil paint, wax, wood dimensions vary
Alexander Brandt ephemeral structures 2005 – 2008 photography c-print 4 times 100 cm x 70 cm
Thanks to everyone who came out in the pouring rain to
see and meet the 5 Shanghai Germans @ stage候台BACK on May 16th! Special thanks
to the Bremer
Ratskeller for the never ending flow of delicious wines. 5 Shanghai
Germans - group show - Mai 16th - June 26 2009.
Tuesday 12 May 2009
THAT'S Shanghai
By stageback on Tuesday 12 May 2009, 00:00
Thanks to THAT'S Shanghai for the full spread article on stageback. Clich here to read the full article.
Monday 11 May 2009
Thanks for the link!
By stageback on Monday 11 May 2009, 00:00
Thanks contemporary
Shanghai!
http://contemporaryartshanghai.blogspot.com/2009/05/stageback-shanghai-5-germans.html
Sunday 10 May 2009
Five Shanghai Germans (Group Show)
By stageback on Sunday 10 May 2009, 00:00
Dear
stage候台BACK friends,
We are pleased to invite you for the opening reception ( 开幕接待 ) of Five Shanghai Germans -Group Show
Date: May 16 2009.
Time: 6pm - 10 pm at stage候台BACK Gallery.
We hope to see you.
Susanne Junker & Amandy Chien
Five Shanghai Germans
Alexander Brandt, Roland Geissel, Susanne Junker, Rolf A. Kluenter and Lothar Spree
Group Show
May 16 – June 26 2009 / 2009年5月16日至6月26日
Opening reception: May 16 2009. 6pm - 10 pm at stage候台BACK Gallery.
开幕接待: 2009年5月16日 18：00-22: 00 stage候台BACK艺术画廊
TIMELINE:May 16 – June 26 2009 / 2009年5月16日至6月26日
stage 候台BACK Shanghai is delighted to present‘Five Shanghai Germans’, a group show of recent works by Alexander Brandt, Roland Geissel, Susanne Junker, Rolf A. Kluenter and Lothar Spree. The exhibition offers a look through the eyes of 5 German artists who have been living and working in Shanghai during the past 3 – 10 years. Shanghai, the trend-setting metropolis with a capitalistically characterized dynamic, has been challenging their artistic practices and exploration into new or different ways of expression. The show is curated by Ke Luo Fu, Shanghai ‘Five Shanghai Germans’ will be exhibited at Bridge Gallery, 798, Beijing in November-December 2009, at K GALLERY, Chengdu in the first half of 2010 and at TEAPOT, Cologne in the first half of 2011. The Catalog is edited by Ke Luo Fu and published by stage候台BACK and Ke Luo Fu, in cooperation with timezone 8, soft cover, 88 pages, color plates
stage 候台BACK荣幸呈现“上海五德”联展，届时五位德国艺术家 飞苹果(Alexander Brandt)，葛若朗（Roland Geissel），云筱苏 (Susanne Junker)， 柯罗夫 (Rolf A. Kluenter)和 洛塔 斯普瑞(Lothar Spree) 将联合展出其最新艺术作品。 “上海五德”通过五位长居上海的德国艺术家的独特视角，展现他们在过去3-10年间与上海这座独特城市交融迸发的艺术作品。上海一向以“小资”著称，这座 大都市如今正以其独特的活力走向现代潮流的最前端，这强烈撞击着艺术家们的艺术创作，激发他们探索各种新的艺术表达方式 艺术联展由科罗夫策展。 “上海五德”将于2009年12月在北京798桥舍画廊做第一次联展，接下来将于2010上半年和2011年上半年分别在四川成都K GALLERY和德国科隆Teapot艺术廊做巡回联展。 艺术画册由柯罗夫编辑， stage候台BACK 和柯罗夫联合发行，软封，88页，彩板
More link:
For further information contact:
Amandy Chien (Mandy)
cell: 135-01717-590
email: stageback696@gmail.com
P R E S S R E L E A S
E stage候台BACK 696 Weihai Shanghai is
delighted to present ‘Five Shanghai Germans’, a group show of recent works by
Alexander Brandt, Roland Geissel, Susanne Junker, Rolf A. Kluenter and Lothar
Spree. The exhibition offers a look
through the eyes of 5 German artists who have been living and working in
Shanghai during the past 3 – 10 years. Shanghai, the trend-setting metropolis
with a capitalistically characterized dynamic, has been challenging their
artistic practices and exploration into new or different ways of
expression. Alexander Brandt states in
the context of his ‘ephemeral structures’, 4 times photography in c-print::
From a personal, purely esthetic point of view, most of Shanghai's new high
rising buildings are visually more interesting during their construction phase
than after their completion. This state is temporary; in a month's time, what
was captured in the image doesn't exist anymore. At the same time, because
Shanghai's construction sites are omnipresent, the presence of these ephemeral
structures also has something permanent.” Roland Geissel’s work “melusine – xujing’ includes
photography and an object. ‘A Spatial Drawing is the interior of a
Melusine’...... a series begun in 1997. Melusine is the collective title of all
worksbelonging to a group whose design always follows the same basic
principles, leadinghowever to a unique result each time. The Melusines are
corporealobjects, occupying the borderlands between painting and
sculpture. .... the Spatial Drawings
are site-specific and have so far been
temporary, documentation is necessary. However the photos Roland Geissel
takes, on 5x4” film, using a large-format
camera, transcend the purely documentary function and assume the nature of works
themselves. The photographs do not
only succeed in translating the space via perspective onto the two-dimensional
plane of film, much more than this they lead to an alteration in our
perception. Our spatial perception as a whole shifts towards the visualization
of flatter, graphic formations seen in the background, and optical effects are
created which evoke a space other than the real one; new, unreal spaces are
created. [johannes kögler－“journeys into space - roland geissel’s spatial
drawings”, exhibition catalog, 2007] Susanne Junker presents her photographic series “ - - -
id - - -identity- - - - work in
progress”. R A Suri writes about her work: “Essentially, the photographic work
of Susanne Junker is cathartic, humorous and violent in effect. Her trajectory
is one wherein the role of subject/object, identity and transfiguration of
medium revolve, intertwine and are re-cast in a conscious manner.
Unfortunately, while the pivotal device of oscillating to and from established
or fixed visual iconography-which she has sought to challenge- of women,
embodying the same formal vocabulary in her staged self-portraiture, one might
evaluate that rather than a rupture with the perversion and vulgarity of the
portrayal or women by mass-media and the "victimization" of the fashion world
in real terms on both the physical and psychological landscape of women,
conversely, her work is somewhere testament to the legacy of that sphere upon
contemporary photographic art. [R. A. Suri “Globales Geiles Gesicht”, guest
contribution / essay / KUNST BLOG /
(http://kunst-blog.com/2009/03/leerer_eintrag.php) Rolf A. Kluenter’s mix media installation
‘st.st.not.that.not.this.six steps registration overkill’ shows canvases, a
stencil, rubberstamps, a 2 minute video, a photo and text. Ilse Schache
comments: “…the nature of self, the nature of the environment in which we find
ourselves, and the relationship between them. The central theme of these works
is not to capture some kind of abstract reality, life, as it 'is', but instead
to explore the processes of creation and the creative process in and of itself.
Kluenter is captivated by the verb 'to transpire', to cause something to
happen, to go beyond, to cross something, to inspire. The purpose of his work
is to demonstrate or to cause some kind of tension, since this, in his mind,
will cause something to transpire. Kluenter is interested by the idea that
beyond memory, there is something more, something non-material but
nevertheless, very real. It is this 'beyond-ness' of things that his work is
trying to expose. As something happens, or transpires, it passes into our
memory, where this process of creation keeps developing. Nothing is finite and
nothing has an end; one event is transformed and so leads on to something
else.” [Ilse Schache “rolf a. kluenter – recent works, 2009]
Lothar Spree makes a very distinct statement
in the context of his 2 simultaneously running films, title: ‘ shanghai passage
voyage / dissolve’: “understanding media as a tool of exploration - zooming out
the panoramic views of satellites and into microscopic close-ups of the psyche
of people // although a filmmaker at heart, media art has become my main
interest in the context of chinese art education // shanghai is a maze of media
art reflections // here the two terms ‘media’ and ‘art’ carry both a certain
acute urgency – they are terms of our times that signify essential demands and
developments for global society/ visible in the cityscape of shanghai // under
the term media we see our world transferring itself increasingly into the
visualizing media/ not only because of the intensification of global
communication and exchange -- more so because of the great virtualization of
our life // formative events are not anymore happening in real life but in
media only/ and more and more of human life takes place in the realm of
virtuality // to work -- and live -- in the field of media/ especially in shanghai/ means
dealing with the issues of humanity/ society and the ‘essence of life’ --
finding/defining/refining rules of changing reality before the media world
forgets its humanity // art provokes the new and evokes the old/ reminding of
the essence of the strife for progress // art is breaking the rules in order to
liberate/ and challenging in order to define a next necessary step // making
and braking the rules - art is the realization of both these impossible
attempts // understanding media as a tool of exploration - to move out to the
panoramic views of satellites and to return to microscopic close-ups of the
psyche of people.” The show is curated
by Ke Luo Fu, Shanghai ‘Five Shanghai
Germans’ will be exhibited at Brige Gallery, 798, Beijing in November-December
2009, at K GALLERY, Chengdu in the first half of 2010 and at TEAPOT, Cologne in
the first half of 2011. Catalog,
published and edited by Ke Luo Fu & stageBACK, Shanghai, soft cover, 88
pages, color plates
